Recursos geométricos de dibujo, Composición y proporción en la pintura mural de la iglesia prerrománica de San Julián de los Prados (Oviedo)

Lorenzo Arias páramo

doi:10.3989/aespa.1992.v65.481

Recursos geométricos de dibujo, Composición y proporción en la pintura mural de la iglesia prerrománica de San Julián de los Prados (Oviedo)

Authors

Lorenzo Arias páramo

DOI:

https://doi.org/10.3989/aespa.1992.v65.481

Abstract

This paper studiess different appropriate technical procedures -drawings, geometrical and compositive- used in the execution of the pictorial wall decorations of the church of San Julián de los Prados built in the reign of King Alfonso II (A.D. 791-842) in the outskirts of the city of Oviedo. The fresco mural designs that cover the surface of the interior ornaments are the best preserved sample of Hispanic early mediaeval painting to have reachead our age. This study deals mainly with the composition of previous layouts outlined by incision with a dry tip which delimit the shape of the figures drawn; they also represent the most important preparatory stage of the projectual design of the paintings.

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Published

1992-12-30

How to Cite

Arias páramo, L. (1992). Recursos geométricos de dibujo, Composición y proporción en la pintura mural de la iglesia prerrománica de San Julián de los Prados (Oviedo). Archivo Español De Arqueología, 65(165-166), 181–222. https://doi.org/10.3989/aespa.1992.v65.481

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Issue

Vol. 65 No. 165-166 (1992)

Section

Articles

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